Le livre Farfield. Digital Culture, Climate Change, and the Poles, sous la direction de Jane Marshing & Andrea Polli publié par Intellect (Bristol, UK/Chicago, USA) vient de paraître en ce début d’année 2012 avec mon article : « Inhabiting the Extreme or Making Antarctica Familiar ».
The book Farfield. Digital Culture, Climate Change and the Poles, edited by Jane Marshing & Andrea Polli has been released this January 2012 by Intellect (Bristol, UK/Chicago, USA) with my article: « Inhabiting the Extreme or Making Antarctica Familiar ».
Le sommaire est vraiment alléchant. / Table of Content below
- Introduction, Jane D. Marshing and Andrea Polli
- Every New Thing: The Evolution of Artistic Technologies in the Antarctic – or How Land Arts Came to the Ice, William L. Fox
- Magnets of the Fantastic: The North Pole Observed, Jane D. Marshing
- Pages from the Book of the Unknown Explorer, Judit Hersko
- Antarctic Diaries » (Excerpts), Simon Faithfull
- Ground Truth (Focus: The Antarctic Dry Valleys), Andrea Polli
- London Fieldworks: Polaria Fieldwork and Installation, Jo Joelson and Bruce Gilchrist
- Disappearing Ice and Missing Data: Climate Change in the Visual Culture of the Polar Regions, Lisa E. Bloom and Elena Glasberg
- Between Ecotopia and Ecotage: Polar Media, Peter Krapp
- Nonorganic Life: Frequency, Virtuality and the Sublime in Antarctica, Susan Ballard
- Inhabiting the Extreme or Making Antarctica Familiar, Annick Bureaud
- Voices, Lines, Cracks and Data-Sets: Formations of a New « Idea of the Canadian North », Leslie Sharpe
- Airspace (Focus: McMurdo Station, Antarctica), Andrea Polli
- Systemness: Towards a Data Aesthetics of Climate Change, Tom Corby
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